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Thursday, March 13, 2014

‘Liberating Structures’—Towards Unseen, Unheard, Unsaid…



 Reflections from Prof. Arvind Singhal`s workshop (February 2014, Ahmedabad)


In many ways, title of this approach bears feeling of oxymoron/paradox. At the first instance, liberating from any structure demands escape velocity. So you can imagine, how far the initiative to start discussion regarding it is challenging. It is a quest of learning in various problem situations of life. How to define problems, how to contextualize them and how to arrive at consensus to start working on it to move towards solution.

It is our common experience that “We are not good at designing conversations or interactions.” In a meaningful conversation, time slows down, doubts are cleared and we feel at home as far as expressing our confusions, problems are concerned. Essentially, in a group what we are trying to do is, to arrive at the same level of understanding (without feeling negating cognitive dissonance about it). So, small details of how interactions are designed—matter.


Abraham Lincoln, when he was on filed-tour during war of Northern and Southern states of USA, met soldiers on one of the front lines. One soldier when taken aback because of Lincoln’s height, asked him, how tall are you? He replied, “My son, my feets are tall enough to reach ground.” So, what this story indicates is—how shedding baggage of power and authority is crucial, if we wish to create connections to listen to each other. There are always lots of parallel conversations happening around. So drawing from the seeds spread around those conversations will help us not only to relate to us, but also learn from those. In liberal conversations, we should always take care to observe what kinds of spaces are created. People, audiences, consumers are comfortable in articulating in safer spaces. These safer spaces are designed in a way to promote and motivate active listening—willingness to listen. 

It is because of these patient, other centered interactions one is able to realize how perception of same thing is similar/dissimilar. How commonalities are reinforced? How different patterns emerging, are observed? In many interactions, “One nature of expression is different than that of other colleague`s nature of expression.” Because of the interactions, which are organized in a way different than traditional, tendency to hold on to our own idea is challenged and gets shattered. We learn to enjoy to add, share and collaborate. We start innovating combination of thoughts and experimenting with adaptations to external ideas, thoughts.  


Traditionally we are hard wired for patterns. We are poor at analyzing because we connect better to emotional self and emotional social. So it is always necessary to be compassionate towards self and towards other, while expressing and listening to others. This gives an emotional/humanistic orientation to dialogue with self and others. So, there always need to have effect to be always present: across activities, across groups, across levels and across functions in listening mode, in observation mode, in learning mode. 

It is after all, struggle of data vs patterns. In many ways, stories are beautiful form of data. Whenever we meet, interact, converse: we need to encourage each other to tell the stories. Stories give us authentic first person and multifaceted perspective about the personality, life and times. Stories expand and inspire our imagination and also allow us to develop emotional connect.

Different ways through which ‘conversations’ are done liberates participation for everyone. Then, after we invite people to repeat their stories, our understanding about reality deepens. Always make sure to invite, appeal others to contribute to stories. Listening, sharing and adding emphasize power of loose connections. We are bound by ‘Occupational Psychosis’. Our mental abilities, skills, vision are constrained by cognitive patterns evolved due to kind of life we lived, nature of struggle of survival we are in and type of work we do for living. For example, “For hammer everything is a nail.” ‘Interjectional structures are ubiquitous’, only thing is that we don’t make use of that. Our worldview about ‘interaction’ can be summarized out of our vision about education. “We never really attain students, we teach them.” 

Managed discussions are dangerous for creativity. Conventional structures stifle inclusion and engagement. Meetings, discussions, classrooms are full of disengaged, dysfunctional groups and wasted ideas. Innovative interventions in conversations may introduce novelty and freshness in ideas; make the process of engaging with stakeholders more reflective and exploratory to scout for new possibilities.  Traditional presentations and conversations need to go beyond ‘over-controlled’, ‘too-uniform’, ‘engaging only few in a group’ and ‘targeted only at formal event’ stereotypes. They need to be more process driven rather than rigid understanding about ‘output’ in a material sense. Open discussions involve, accommodate ‘under-controlled’, are flexible with unstable relationships, provide freedom to enter conversation at any point of time, give liberty to take any direction of thought. 

In many ways, approach towards ‘liberating structures’ is shaped in a distributed control through diverse yet interdependent relationships. Here, direction of conversation is shaped by participants themselves. This empowers and enables ordinary people to express what they have found better (or even extraordinary) solutions to existing problems—against all odds—without access to any extra resources. This process also thus respects and adheres to ‘Collective Wisdom’ to solve problems. It delivers better outcomes by recognizing outliers. Thus emerges ‘positive deviance’, perfected over a time though accumulation of small-incremental outlier acts. 

Example: COffice Hours-- Students can guide each other at open session organized by teachers at cafeteria-canteen. They maintain cohort relationships—that is a major resource. They also recruit each other. They reciprocate each other. Thus, creating conditions to connect through informal venues crucial by talking to people you don’t know.

So, creating conditions for help is important. This is new kind of empathetic-sympathetic-compassionate culture. Traditionally, we are not good at asking for help and also not good at helping each others. Thus, these kinds of interactions also induce transformations into self. This gives comfort-belief that yes; there is somebody to help. Communication is mostly non-verbal. It helps us to know what we perceive to be a problem, is not exactly that felt by us. It also makes it easier to live by knowing that we are not only one who has problems. Usually problems are never what they seemed to be. In this kind of interaction, an individual goes through 'listener-clarifier-adviser' mode giving ‘value addition of being stranger’ to a person seeking help. What is newly being suggested is practical, easy to follow and with absolutely least cost with certain empathy. Tolerance with some genuine urge to help coming out with responsibility—which is founding principle of this relationship. In short, whatever the problem—there is always a better, alternate solution dispersed in prospective conversations, we normally fail to explore. What we need, just to look around—see, listen, ask, interact, discuss—in a way different than we use to do, different than traditionally rigid way.
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Friday, March 7, 2014

"Grass in the Air"…Breeze from STUDIO 7


                                             "Grass in the Air…"


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“God respects me when I work, 
but God loves me when I sing--- Tagore”

I recalled above lines by legendary artist, when I started to realize what music, and especially one other than film music can do to me. Even though, I was only, like an illiterate person cravingly absorbed whatever coming at my way; it was an experience making me feel like an hungry-thirsty traveler wandering or lost in desert or in hills or in deep inside forest; greedily swallowing what is being thrown at it`s way through notes, scores, compositions, lyrics and vibrant frequencies.

What happened to our folk music? Where are the songs I used to listen to in my childhood in my mother tongue?  Where are the classic-classical songs I used to enjoy on Vividhbharti? Where are the rare records which I could not collect or preserve or get access to? Where are the insights which I need to have, whenever I am listening to particular genre? I am grappling with all these questions always and also get overwhelmed by whirlwind of this feeling which exhausts me when I don’t understand any beats, let alone Beatles, Metals, Led....Pink…Blues…Green...Black...  But, then someday, I become restless to search for answers to these questions once ambassadors of music inspire me to listen to music I have not listened uptill now. These ambassadors are Studio 7.

Thus, as I start my journey to enjoy songs and music, I don`t really know when I am enlightened by it and when I am completely seduced by it to forget myself to immerse completely in it; I don’t know. Because, I am completely indifferent to many types of music I am listening to. Many ways of songs; in terms of language, meanings; in form—western, classical, rock, blues, jazz, country, folk, Hindustani, Karnataki, street music, tribal music, pop, fusion, rap, hip-hop etc; In speed—slow, medium, fast, hypersonic, subtle, crazy-zigzag, tricky hide-and-seek scores, spiritually encircling to catch hold of our mind, exploding our bodies with radioactive energy and rhythmic-harmonious prayer entering my mind to make me more calm, authentically reflective and honestly sincere in trying to understand what after all is being played.

I don’t know what is happening to me but it is not less than what I feel like I am transformed into a bundle of grass in air after I am exposed here to music by all of you and by Studio7.
Grass—humble enough to withstand in the flood of arrogance, complacency and claim of expertise.
Grass—with same equanimity—‘coming back to life’ in green color--in every season, either spring, winter and monsoon.
Grass in the air—delicate, vulnerable, dwarf—but equally determined to devote, surrender and burn itself to give joy to everyone around through its fragrance, through its wise innocence, through its dedicated entanglement with soil—it helps to keep myself connected to ethos of history which inspired psychological undercurrents in people—who discovered different religion of music altogether—leaving all others like us to enjoy, marvel at, to become mad for it, to melt our lives to understand it and to dive deep in the seconds/minutes/hours for grasping true nature of it.
That makes me live this life, again and again. And nothing else, trust me!!!



“….singing in the dead of night
Take these broken wings and learn to fly
All your life, you were only waiting for this moment to arise.” 
                                                                                       (----Blackbird)  

Studio 7: Rock on, March on!!!

regards
rahul mane, (an ignorant fan !)
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Wednesday, March 5, 2014

Community Radios: Inspiring Models of Globalisation + Localisation




World Radio Day was recently celebrated by UNESCO (13th February) and this time they have come up with (guess what ::)) a toolkit for radio producers working with children and youth.

UNESCO has also launched a campaign "EMPOWERING LOCAL RADIOs with ICTs"
 
Lines of Action
http://en.unesco.org/radioict/lines-action

RadioICT:
http://en.unesco.org/radioict/local-radios
 
http://en.unesco.org/radioict/icts  (especially please check this one)


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Tuesday, February 25, 2014

Emerging Citizens: In Politics and Social Media !!!




How landscape of social media and media is emerging up in India in the context of upcoming Lok Sabha elections? How first time voters are going to behave in this election? How polarized is the social media or for that matter electronic and print media in India in contemporary times? What are the historical contexts in which Indian media evolved and how we should understand the political-social-economic reality and diversity in India in terms of how they are expressing themselves in online-offline media and also how they are consuming the political content through different sources? How political equations are changing and how they are affecting the popular discourse in mainstream media and also how discussions on media platforms are shaping our understanding of what politics we are witnessing? These were all questions debated in an interactive session with Dr. Maya Ranganathan (http://tinyurl.com/kdablt4) here in MICA, Ahmedabad. 

The core question which was discussed was: is media ‘neutral’? Was it ever so? What are the manifestations of its supposedly prejudiced / biased orientations? Media historically is a political tool. Politics always uses agency of media for propagation of ideology, ways to forge a consensus and also elements of discourse which are further used for political appropriation, silencing dissent and also to build own propaganda narratives through ever emerging material reality in evolving dynamism of media.

Is media independent? Can it ever be? No. Is it part of larger political machinery in democracy? Yes. Sometimes it is a part of Little Tradition; sometimes it is part of Great Tradition. In little tradition, there are always some biased motives behind the dissemination of information or opinions. Regional/vernacular media in India and across are always driven by some agendas from time to time because of some historical compulsions. These compulsions can be of freedom struggle in historical conditions, propagate religious/community spirit, spreading regional affiliation or work vociferously for social reform. But these realities are changing and changing fast before we can gauge the impact of all these transformations arrived at because of technological innovation, economic globalization and penetration of social media in youths. The Great Tradition, largely inspired from English press inside/outside India, largely claims to be guardian of Objectivity, Neutrality and Non-biasedness. Barring very few rare exceptions worldwide, this is something even Black Swan claim (exceptions like The Guardian, BBC, The Hindu, Der Spiegel, The New York Times, and Washington Post). Each case of media is unique in a way to interpret the underlying currents or layers of power connections which influence the operation of media on a day to day basis. 



Diversity of opinions in public sphere is greatly influenced by ability of representation it gets in social media and electronic-print media. Claiming that Indian political landscape is only dominated by BJP, Congress and AAP is as much as rational ignorance as expressing the rosy imagination of powerful third front which can take shape in any prospective post-poll scenario. Normalization of political-social diversity is dangerous for the health of democracy and the kind of analysis which is emerging largely underestimates this very diversity. This goes along with bandwagon of supposedly happening polarization in Indian public sphere represented by various media platforms is antithetic to the process of arguments, disagreements and dialectics which are necessary to co-exist along with the possibility of free spaces for discussions to be happened in accessible public sphere, in this case various types of media platforms. 

So, what lies ahead as far as impact of media on individual preferences in voting, expressing, behaving, and participating in political activity? Is sharing something on social media synonymous to supporting to ideology or subscribing to any political vision or being sympathetic to any kind of political opinion. In this context, certain political forces are being successful in high-jacking the discourses in social media/new media sphere. In the competition between social media and electronic-print media, where each one is chasing other in the quest of adopting content, or finding ways to create content, jumping in the content-churning; they are influencing each other. This influence is not linear, not innocent and not at all oblivious from external political interventions which are deeply aligned with changing economic-neoliberal policy-structures within India and outside India. The people, especially youth and teenager have greater role to play considering their number of subscribers but there is a doubt about their political sensitivity and their commitment to contemporary public discourse. 


The people who are traditionally proactive ‘political citizens’ are normally not taking part vigorously in media discourses and also in latest avatar of social media. Of course, they are catching up; but claim of complete representation for that is far from credible. The people who are hooked to social media, of course, have their own genuine opinions but there are many views about how they are being expressed. Some say, they are becoming more and more prejudiced and thus stereotypical paving the way for further polarization (religious, parochial, racial and rationalistic). Another stand point says that, it is too ambitious to claim that there are only few blanket categories which represent this huge discourse. Marking the boundary lines of these categories is biggest challenge in contemporary times. Also, while analyzing these discourses on online/offline media, there needs to be a greater nuanced understanding and analysis about the kind of political citizens and engagements of users in social media are emerging.

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Monday, February 24, 2014

MADIBA to MARLEY via NAMDEV DHASAL



 The week of 23rd to 30th January this year and every year comes with special promise. It is a promise of courage, democracy and dedication of truth. It is a promise of bravery, constitution and truth. It is a promise of global vision, virtues of unity and power of dedication to self-criticism. Yes, in India this is a special week.

23rd January is a birthday of freedom fighter Netaji Subhash Chandra Bose, founder of Indian National Army. He united patriotic soldiers from Indian subcontinent through coalition with Germany and Japan to overthrow British imperialism. Though, he failed to do so—because British were successful in stopping advancing Japanese forces (ally of Bose) at the north-east borders of India and also subsequently his tragic death in air-crash later in August 1945. The day of 26th January is historically very special to India. On this day in 1929 at Lahore Congress Convention, India as a nation resolved to make this day as symbol of Free India. On this day in 1950 India became republic via adoption of Constitution on 26th November 1949. The day of 30th January 1948 holds unique position in Indian history as it is dedicated to tribute for sacrifice Mahatma Gandhi made. He was assassinated on this day in New Delhi`s Birla House.  



In many senses, the spirit of these three days is epitomized in one persona i.e. Nelson Mandela. Mandela, popularly known as Madiba; who lived life as revolutionary, true humble democratic leader, a pioneer of non-violent transfer of power without bloody armed struggle and a great humanist who stood for human rights of not only ‘blacks’ in South Africa and African sub-continent but also across the world.

In the 1960s, Mandela joined left wing revolutionary movement well after he completed is legal education and practiced for a while. Because of his consistent involvement in revolutionary struggles he was soon imprisoned and due to consistent denial for compromise in combat against apartheid, he was forced to suffer in prison for 27 long years. Imagine, that can be anybody`s half life time. Like radioactivity, where half life period of any element can be hundred and thousand years; Madiba represented millions and millions lives across the world in his prison life; reflecting in a sense a true torch-bearer of struggle against exploitation, segregation and butchering done by imperialists in African, American, European, Asian subcontinents. His education in English, anthropology, politics, native administration, and Roman Dutch law is testimony to how he viewed humanity and world at large. His interest in dancing and drama reflect how deeply he was in a position to understand the liberal passions of life.

One can be surprised with multiple-diverse and intrinsically opposite traits of same personality leading in different ideological processes. But Mandela was no ordinary leader.
At the same time, when world was mourning passing away of Madiba, India was also witnessing passing of an era represented by Literary Twister named Namev Dhasal. His last poem - on Nelson Madela - was published on January 11. A underground poet, a rebellious political leader, a social revolutionist against power, caste and religion, doyen of subversive language in contemporary India and philosopher of understated marginalized classes in regions beyond centers of wealth. Born to outcaste family, in his younger days he drove taxi for livelihood. His movement started from foundation of ‘Dalit Panther’ inspired from American Black Panther Movement.

He was largely responsible for creating consciousness in regional language literature in India about nee to break all norms, project life upside down, reverse aesthetics of appreciation of writings and thus day to day happenings and imagine possibility of making evaluation of expression more democratic, respecting plurality and authentic. He was the only person to be awarded by Lifetime Achievement Award by India`s highest Literary Body ‘Sahitya Acadamy’. In 2001 he made presentation to International Literature Festival in Berlin.
If Mandela mobilized people on the basis of urge of self-respect, fight for justice and struggle for rights; Dhasal marshaled weapons of words to destroy the citadels of prejudice, stigma of outcastes and vaccume of socio-political alliances. Manela-Dhasal may be separated by continents but they spoke same language through different ways in parallel times—times of transition, times of retrospectively realizing that coloniasm is yet to finish, times when 90% of the world was yet to taste the fruits of modernity in true sense, times of experiencing endless agony for asking for own dignity. If language was the custodian of indigenous culture of communities, Dhasal proudly navigated through powerful corridors of established literature carrying this native culture which has it own beauty—like dark side of the moon. 



Mandela—empowered courage of people who had no way of knowing how to express their silent protests through gentle conversations on the streets, schools and social gatherings.
Mandela`s realization of inhuman conditions in Robben Island prison (where he was for 27 years), made him more sensitive person before by each passing day. Dhasal`s experiences of humiliation, atrocities and exclusion made his poetry more angry, firebrand and penetrating. Together they showed power of expression and conversation, determination and pursuit of righteousness, leadership across spectrums of social life and engineered new alliances, ability to connect to every subaltern group around, contextualizing the fight as per the times they lived in and living to their own ideals of life without getting unnecessarily influenced by idols of those times, in a sense retaining their originality. When another great Indian writer Dilip Chitre says, that mere word Criticism fails when we reflect on Dhasal`s writing. This irony was also felt about Mandela when US Government honored him with President`s Medal for Freedom while at the same time, his name was there in terrorists list. Dhasal`s style decorated by surrealistic expressionism which was ignorant to average outcaste reader and even distant for upper-middle class educated people. Manela`s tactics were totally new for imperial forces as they were not ready to deal with phenomena which does not get wither away by 27 years of displacement from daily lives in the harshest conditions of prison. It was as if Mandela lived on another plant just like outcasts in India did for centuries to which Dhasal gave first socio-cultural shock after founder of India`s constitution Dr. B. R. Ambedkar. This is not just an effort to eulogize Dhasal, but putting his personality in correct historical context. At the time when established legal-political system and institutional forces were continuously failing to acknowledge, let alone address, the plight of outcastes, Dhasal—through his sheer creativity with realistic arrangements of words—bulldozed agenda of cultural-political bias against community to which he born to.

These were also the times when by blending of words and music, Bob Marley travelled around the world by singing for freedom, justice, and equality. His tracks in 1979 titled ‘Zimbabwe’, ‘Africa Unite’, ‘Wake Up and Live’, ‘Survival’ were highly popular in a sense—they changed the moods of the youths across the continents creating a moral pressure buffer in the media, democratic movements and literary-music circles. I wish to close the tribute to seamless relationship in legacy of ‘Madiba-Dhasal’. Let us listen to these lines of Marley to at least start understanding for what Mandela-Dhasal stood for, lived for and died for !!!

“…Emancipate yourselves from mental slavery
None but ourselves can free our minds
Have no fear for atomic energy
'Cause none of them can stop the time…
Won't you help to sing
These songs of freedom?
'Cause all I ever had
Redemption songs
All I ever had
Redemption songs
These songs of freedom
Songs of freedom…” 

 
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